The Cultural Legacy of Midnight Cowboy

As the Dustin Hoffman and Jon Voight film turns 50, Scott Holleran explores the reasons for the controversial box-office hit and the impact of its legacy.

Gone With the Wind” (1939)

Scott Holleran on appreciating Gone With the Wind (1939) as a Great Work of Art.

Elia Kazan’s ‘Boomerang!’ Comes Back

Reader's Digest published Fulton Oursler's article in its December 1945 edition which, in turn, became the basis for director Elia Kazan's second of 19 feature-length motion pictures, Boomerang! (1947). An especially relevant and taut film it is, too. Steeped as it is...

Considering 2008’s ‘The Curious Case of Benjamin Button’

The Curious Case of Benjamin Button, written by Eric Roth (Munich, which was morally repugnant) and directed by David Fincher (Zodiac, which was miserable) is breathtaking and, on purely cinematic grounds, it is a grand three hours, as the tagline says, of life...

Roundup: 2018 TCM Classic Film Festival

With a festival theme of classic movies originating with literature, Turner Classic Movies' 2018 TCM Classic Film Festival in Hollywood satiated, enticed and, on occasion, stirred in audiences the power and wonder that the original filmmakers intended decades ago....

‘Spellbound’ (1945) Entertains

Alfred Hitchcock's Spellbound (1945) co-starring Ingrid Bergman and Gregory Peck is a light psychological mystery. Seen by this writer for the first time in nitrate at a screening at the Egyptian Theater in Hollywood during the 2018 TCM Classic Film Festival, this...

Revisiting Family-Themed ‘Sounder’ (1972)

Last week, I attended the world premiere restoration of a 1972 movie directed by Martin Ritt about a dog and a boy and the parents who guide and watch over them in the uplifting, family-themed Sounder. Introduced at the TCM Classic Film Festival in the grand, historic...

‘A Star is Born’ (1937) Radiates

Hollywood's first Technicolor movie starts with words on a screen play and goes to a great American story of a self-made soul from there. Janet Gaynor stars as a waif from North Dakota named Esther Blodgett. Wispy Esther loves the movies, I mean she really worships...

‘I Take This Woman’ (1931)

This rarely seen pre-Production Code gem has its charms. Don't expect a marvelous, grand or lush motion picture. If the abundance of riches presented by the prospect of watching Carole Lombard and Gary Cooper together in a love story entices you and the opportunity...

Avengers: Infinity War Offers More of the Same

The new mega-movie in the Avengers series, Avengers: Infinity War, based on the Marvel Comics books, is more of the same. Sufficiently energetic and loaded with dozens of characters, inside jokes and various tie-ins to other movies, franchises and cultural references,...

Preview: TCM Classic Film Festival 2018

"From Page to Screen" is the theme for this year's annual Turner Classic Movies (TCM) festival. It's the perfect theme for the early 21st century as the freedom of speech slips into serious peril under threat from the government. With a host of panel discussions,...

Why ‘Chappaquiddick’ is a Breakthrough

That this movie exists is a cinematic achievement. Whatever my criticism, whatever its flaws, the movie about an American government official's deliberate, historic conspiracy — a real, proven conspiracy of corruption, deceit and silence, ahem, Oliver Stone — to cover...

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